EThe history of the Umewaka family
UMEWAKA was originally called UMEZU, and their ancestor is said to be the head of a powerful family UMEZU from Kyoto, TACHIBANANOMOROE. They renamed their surname in 1481 when UMEWAKATAYU KAGEHISA was summoned to the Imperial Court by Emperor GOTSUCHIMIKADO. There he performed ASHIKARI and was given the name, gWAKAh and from there he introduces himself as gUMEWAKAh. Hereafter, the song ASHIKARI has been a special and meaningful song to the UMEWAKA family.
The UMEWAKA family was in Oda Nobunagafs favor, and as they went on promoting Noh, they would be awarded with a promoter. In the begging of the Edo-era around the time when the BUKESHIKIGAKU (samurai classfs entertainment) SHIZASEITEI(placing enactment) was about to be decided, because UMEWAKA was a retainer of Akechi Mitsuhide, the master of Castle Tamba, and because he owned a territory in Kyoto, therefore he was not able to go out to Edo but had to enter the KANZE family as a TSURE family. The UMEWAKA family did not become IEMOTO (the head representative of the family), but was in TOKUGAWA and MIYA familiesf favor, so when they performed they were known as gTAOh, the SHITE (leading role). Also they were treated as if they were an IEMOTO, and they received stipends not from the KANZE head representative family of the school, but directly from the Tokugawa family.
Each family went back to their regions, since the samurai class was nullified which was the consequence of the Meiji Restoration, but the UMEWAKA and TETSUNOJOU family (branch family of the KANZE family) stayed in Edo and kept on holding performances of Noh, even though they were in financial difficulty.
Tomomi Iwakura made an inspection to Europe and America, and realized the importance of garth culture. He took notice of gNohh and chose it as one of the gfine artsh to revive the culture, and held KAZOKU Noh performances.

UMEWAKA Rokurou ( Minoru the first) was the one who presented Noh at Iwakurafs residence with the Emperorfs inspection, which made a chance for each head family to go back to Tokyo. And so the Umewaka family and the Noh entertainment world were under the patronage of@financial combine of the Mitsui and Iwasaki familiesf and started to master TAKAMORI again.
Manzaburo the first was the first to become a member of the gJapan Academy of Arth, and by 1937 Minoru the first became a member of gJapan Academy of Arth too, and so the brothers both became a member of the gJapan Academy of Arth.
Like other families have sustained, the Umewaka lost their historic masks and costumes during the attack and bomb of World War ‡U.
By 1955, Minoru the second became a member of the gJapan Academy of Arth, and the completion of Umewaka Noh Academy Hall(which is located in Higashi-Nakano) was completed by the 60sf, and established the Umewaka Noh Academy which was the only school in Japan which taught various types of Noh.
The UMEWAKA Rokuroh now, is Umewaka the fifty-sixth.

 

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